Truong Minh Quy and Nicolas Graux Explore Technological Impact on Filmmaking with 'Hair, Paper, Water'

What's Happening?

Filmmakers Truong Minh Quy and Nicolas Graux have premiered their new film 'Hair, Paper, Water...' at the Locarno Film Festival. The film, shot on a vintage Bolex camera, portrays the life of an elderly woman in Vietnam, focusing on the transmission of her native language to younger generations. The filmmakers discuss the impact of technological shifts on cinema, emphasizing the changing language of film. Their choice to use a Bolex camera reflects a deliberate move towards traditional filmmaking techniques, highlighting the contrast between digital and filmic aesthetics.

Why It's Important?

The film's use of vintage technology underscores a broader conversation about the role of technology in shaping cinematic language. As digital filmmaking becomes more prevalent, projects like 'Hair, Paper, Water...' challenge filmmakers to consider the artistic implications of technological choices. This approach may inspire other filmmakers to explore traditional methods, potentially leading to a resurgence of analog techniques in modern cinema. The film also highlights the importance of preserving cultural heritage through storytelling, contributing to discussions on language preservation and cultural identity.

What's Next?

The film's debut at Locarno may lead to increased interest in traditional filmmaking techniques and discussions on the impact of technology on cinema. As audiences engage with the film, there may be further exploration of how technology influences narrative and aesthetic choices in filmmaking. The filmmakers' collaboration could inspire future projects that continue to blend traditional and modern techniques, potentially influencing the direction of arthouse cinema.