What's Happening?
Jamie Lee Curtis, the Oscar-winning actress, has publicly responded to a critical review of her latest film, 'Freakier Friday,' a sequel to the 2003 hit 'Freaky Friday.' The review, written by Stephanie Zacharek for Time, questioned the necessity of the sequel, suggesting that no one had asked for it. Curtis, reprising her role as Tess Coleman, took to Instagram to express her disagreement, stating that the review seemed 'a tad harsh' and emphasizing that some people, including herself, love the film. Despite the critique, 'Freakier Friday' has been well-received by audiences, holding a 73% critic score and a 94% audience score on Rotten Tomatoes. The film, which reunites Curtis with Lindsay Lohan, explores new family dynamics as the characters experience another body swap, this time involving Anna's daughter and future stepdaughter.
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Why It's Important?
The exchange highlights the ongoing dialogue between filmmakers and critics, illustrating how reviews can impact public perception and box office performance. Curtis's response underscores the subjective nature of film criticism and the importance of audience reception in determining a film's success. 'Freakier Friday's' strong audience scores and box office projections suggest that despite critical skepticism, the film resonates with viewers, potentially influencing future decisions by studios to revisit and expand upon beloved franchises. This situation also reflects the broader trend of sequels and reboots in Hollywood, where established properties are often revisited to capitalize on nostalgia and existing fan bases.
What's Next?
As 'Freakier Friday' continues its theatrical run, its financial performance will be closely watched to gauge the viability of further sequels or spin-offs. The film's reception may encourage Disney and other studios to explore additional projects that revisit popular films from the past. Additionally, Curtis's public defense of the film could inspire other actors and filmmakers to engage more directly with critics and audiences, potentially reshaping the dynamics of film promotion and criticism.
