NEW YORK (AP) — After growing up in a Glasgow household without books, Douglas Stuart didn't know much about the literary world as a young man beyond the recommendations given by a favorite of daytime television watchers, even in Scotland — Oprah Winfrey.
“In a very classist country, Oprah's club was one of the very first things that said books are for everyone. It was a powerful thing,” the 49-year-old author told The Associated Press during a recent
interview at a hotel lounge in downtown Manhattan.
Stuart has since ascended high into a culture he once thought wanted no part of him. Best known for “Shuggie Bain,” he's a bestseller, winner of the Booker Prize and Dayton Literary Peace Prize and he has seen his novels translated into dozens of languages. A few months ago, he found himself in unexpected conversation with the celebrity who had helped inspire him to read: Stuart was the recipient of what people refer to as “the call,” when Winfrey notifies an author that she has chosen their work for her club.
On Tuesday, Winfrey announced the selection of Stuart's “John of John.” Published this week, it's his third novel, and returns to the country and themes of “Shuggie Bain” and its successor, “Young Mungo.” The setting is an isolated community in the Outer Hebrides of Scotland, where art school student John-Calum “Cal” MacLeod returns from Edinburgh to live with his troubled father and beloved, but ailing grandmother. He re-encounters the conflicts that helped convince him he needed to leave: Catholics vs. Protestants, parents vs. children, traditional gender roles vs. the forbidden and sometimes dangerous love between men.
“I felt transported,” Winfrey said in a statement Tuesday. “I could feel every aspect of this remote community where tradition and judgment quietly shaped everyone’s life. Douglas Stuart brilliantly weaved a layered, compelling and yet so intimate a story of identity, what it means to belong, and the courage to claim your own truth.”
Stuart's book club interview can be seen on Winfrey's YouTube channel and other podcast outlets.
A longtime New Yorker, Stuart knows he's upholding a tradition of artists who leave their place of birth, but revisit it in their minds long after. Like Cal, he is an art school graduate who needed more space than his hometown could offer. But Stuart has otherwise proved more fortunate. While Cal struggles to support himself, Stuart had a long and successful career in design before finding even greater success as a novelist. He draws upon firsthand memories in “John of John” but also upon the perspective gained from setting abroad.
“I love the Salman Rushdie quote that you cannot see a painting until you’re outside the frame,” he said. “Leaving filled me with a huge homesickness, but it also gave me the ability to see things from a distance. I was able to understand that I wasn't the only person with pain in my life. All the people around me were also carrying pain.
Stuart, born in 1976, was raised by a single mother who died from alcoholism and poverty when he was 16, a tragedy revisited in “Shuggie Bain.” Discouraged by teachers to pursue a literary career, he attended the Scottish College of Textiles (now Heriot-Watt University) and received a master’s degree from the Royal College of Art in London. He moved to New York in his mid-20s and within a few years had risen to senior director of design at Banana Republic. He was a great success to those who knew him, but not to himself. By age 30, he was quietly carving out a new path.
Like so many of his peers, he became a writer because he had to. His week was mostly filled by his job at Banana Republic, but the story which became “Shuggie Bain” so compelled him that for a decade, he devoted much of his free time to it, recalling the “joy” of having even moments to think and reflect. He had no real publishing connections, but he did have the luck of a well-placed neighbor — Tina Pohlman, an industry veteran who has worked as an editor, agent and consultant. She and Stuart lived in the same building in Greenwich Village and met during a holiday party. Both remember Stuart telling her that he had written a book and was hoping she would look at it, the kind of request Pohlman rarely wanted to hear.
“I was immediately filled with dread,” Pohlman says. “Anytime that anyone at a party tells you they have a novel, it's tricky. You have to be polite. I told him I would look at it, but that it will take a long time. I guess I was trying to make it as difficult for him as possible.”
But Pohlman decided to give the manuscript a quick look, loved it from the opening page and helped Stuart find an agent. After dozens of publishers turned him down, some, apparently believing that the public wasn't ready for the occasional passage of local dialect, Grove Atlantic vice president-deputy publisher Peter Blackstock signed it up. “Maybe because I’m from England, or maybe it’s also because I'm gay, it resonated with me,” Blackstock told the AP.
“Shuggie Bain” was released on the eve of the pandemic in 2020 and steadily gained attention even as bookstores worldwide were shut down. By the fall, his novel was a finalist for the National Book Award and winner of the Booker, an unusual achievement for a debut novel. It has since sold more than a million copies worldwide and helped convince Stuart that he could no longer regard himself as an outsider,
Stuart's imagination often resides in Scotland, but he calls himself an American and feels very much a part of his adopted country, living in the Greenwich Village with his husband, Michael Cary. While long past the illusion that the U.S. has been spared the class system of the United Kingdom, he still finds a spirit of optimism and possibility.
“I love the feeling that success is not being something to be ashamed of,” he says. “I love that I got to start over here. Nobody knew who I was. Nobody knew where I came from. I got to completely reinvent myself.”
