From the floppy-haired cutie in 90s comedies, then swerved into Shakespeare, streaming, and zombie-hunting — all while somehow staying underrated. He just shows up, tries something weird, and leaves quietly with your respect.
Omkara (2006)

This is the role that made everyone stop laughing at Saif's rom-com past. A scheming, limping villain with an Othello complex and pitch-perfect Western UP accent? The man devoured. It’s
Dil Chahta Hai (2001)

The lovable idiot friend with the world's worst luck in love? In a film that redefined male friendships in Bollywood, Saif played the golden retriever energy guy. While Aamir was brooding and Akshaye was emo before it was cool, Saif gave us comic timing, sweetness, and that all-time iconic "Woh Ladki Hai Kahan" song.
Being Cyrus (2005)

Saif as a drifter with dead eyes and dangerous intentions in this off-kilter psychological drama?
Hum Tum (2004)

He nagged, he whined, he sketched cartoons and we still rooted for him. In this gendered slow-burn rom-com, Saif managed to evolve from a petty man-child to a man-man without ever becoming annoying. He also picked up a National Award for it, because this is the chatty film that's a lot harder than it looks!
Sacred Games (2018–2019)

Existential dread, crumbling morals, and a very realistic cop
Udaybhan Rathod – Tanhaji (2020)

Historical villainy, but make it operatic. He went full throttle baddie -- Bloodthirsty, unhinged, dramatic. It’s the kind of fun performance that only Saif could've made it camp. Eyeliner, fur, slow-mo smirks, he knew what movie he was in.
Go Goa Gone (2013)

India’s first zombie comedy and Saif’s first bleach-blonde era, we remember both.
He claimed to be Russian. He looked like he washed ashore from Ibiza. And he was surprisingly good at zombie combat. This cult comedy is one of the strangest things to come out of Bollywood and Saif leaned into the madness like a pro.
Love Aaj Kal (2009)

Two timelines. One heartbreak. And a whole lot of tears. In this Imtiaz Ali special, Saif played both modern commitment-phobic Jai and old-school romantic Veer. It was
Ek Hasina Thi (2004)
He smiled. You trusted him. Mistake. This lean, mean revenge thriller had Saif playing against type, a smooth con man who gaslights Urmila Matondkar’s character into hell. The turn is cold, clean, and absolutely chilling. Early-2000s noir that deserved way more love.
Parineeta (2005)

In this swoony, sepia-toned adaptation of Sarat