What is the story about?
Cast: Sanjay Dutt, Tiger Shroff, Harnaaz Sandhu, Sonam Bajwa, Shreyas Talpade, Saurabh Sachdeva
Director: A Harsha
Language: Hindi
Never Give Up. This is something people usually tell people who have repeatedly
failed to hit theSaand Ki Aankh. Tiger Shroff, the man who will very soon be rechristened as Ronnie from Baaghi, has come back with part four. There’s a running joke how his girlfriend got kidnapped in part one, his daughter in the sequel, his brother in part three. So who’s being saved in Baaghi 4? Is it the audience? Naah! The joke is stale now. Post Animal and Kill, filmmakers think creating an orgy of bone-crunching action and unflinching and uncomfortable violence is the only way to please the box office. Who’s going to
tell them one also has to fill in the glaring gaps in between?
Animal felt like a stern and stubborn response to all the critics who dared to critique Kabir Singh. Kill got the language of its bloodshed right and reduced Vanga’s film into a Disney cartoon. In the case of Baaghi 4, it feels like a star vehicle where the leading men are doing exactly what’s the need of the market. Sanjay Dutt follows the crowd at least a third time. When those cop remakes were the flavour of the season, he jumped on to the frivolous but ultimately failed Policegiri. When the nation woke up to horror comedies, he gave us what he shouldn’t have- The Bhootni. And now with Baaghi 4, it’s clear he’s trying hard to hit that Saand Ki Aankh. And coming to Tiger, it’s a fair departure for him post turds like Ganapath and Bade Miyan Chote Miyan. If you repeatedly fail, best to go back to what made you succeed.
This time, the makers have attempted to show there’s a lot more to Shroff than his bronzed muscles and black belt. So the film begins with a gaudy shot of his accident.
His brain is dead so he’s hallucinating and often breaking down. He’s trying to piece his screwed and scattered life together as charmless and tuneless songs play in the background. In the name of humor,Baaghi 4 comes close to the puerile preposterousness of Housefull 5. Innuendos that could make even Milap Zaveri squirm. This is Lage Raho Munna Bhai meets The Sixth Sense meets Joker meets Madhoshi meets Shutter Island meets disaster in the making. It also has the worst product placement since
Yaadein (That had Coca Cola and Paas Paas, this has Country Delight). It’s a film that’s not satisfied by the farce of Upendra Limaye so they add the slapstick of Sudesh Lehri. It’s a film that thinks Harnaaz Sandhu, who plays the most miscast doctor in recent times, crying over her phone, will make us smile.
It’s a film that shows how a fine actor like Shreyas Talpade is at times reduced to thankless roles. It’s a film that shows Shroff as a Navy officer in hideous VFX. It’s a film that thinks cutesy exchanges between the hero and the
heroine will make us feel nostalgic. It’s a film that makes the first three films in the Baaghi films coherent. It’s a film that has one of the most ill-timed and poorly choreographed action scenes involving a gun, a hockey stick, and a hammy Sandhu. It’s a film that also has the most ill-timed songs that are forgotten as quickly as they begin. It’s a film that wastes the prowess of Saurabh Sachdeva, who almost does a Mukesh Rishi fromJudwaa. It’s a film that has major dubbing issues, just like
its predecessor. It’s a film where a romantic ballad plays in the background during an action scene, as it was Agent Vinod. It’s a film where Dutt is called Chako and I wish Neeraj Vora was with us to see this travesty unfold and relish the riveting spoofiness of Daud.
It’s a film where the same actress has two back stories in a twist that feels so twisted that it twists your brain. It’s a film that echoes Kaho Naa Pyaar Hai. It’s a film that’s so pretentious in its telling that swag soon turns
into silliness. It’s a film where the editing is so inconsistent that you lose interest in the action even before it begins. It’s also supposed to be a film that can potentially revive the dwindling career of its leading man, who once was the infallible celluloid star. It’s a film whose commercial prospects look better than Shroff‘s last few films. It’s also a film that’s not done with its hideousness. It’s a film that will come back. As I said, never give up!
Rating: 1.5 (out of 5 stars)
Baaghi
4 is now playing in cinemas
Director: A Harsha
Language: Hindi
Never Give Up. This is something people usually tell people who have repeatedly
Animal felt like a stern and stubborn response to all the critics who dared to critique Kabir Singh. Kill got the language of its bloodshed right and reduced Vanga’s film into a Disney cartoon. In the case of Baaghi 4, it feels like a star vehicle where the leading men are doing exactly what’s the need of the market. Sanjay Dutt follows the crowd at least a third time. When those cop remakes were the flavour of the season, he jumped on to the frivolous but ultimately failed Policegiri. When the nation woke up to horror comedies, he gave us what he shouldn’t have- The Bhootni. And now with Baaghi 4, it’s clear he’s trying hard to hit that Saand Ki Aankh. And coming to Tiger, it’s a fair departure for him post turds like Ganapath and Bade Miyan Chote Miyan. If you repeatedly fail, best to go back to what made you succeed.
This time, the makers have attempted to show there’s a lot more to Shroff than his bronzed muscles and black belt. So the film begins with a gaudy shot of his accident.
It’s a film that shows how a fine actor like Shreyas Talpade is at times reduced to thankless roles. It’s a film that shows Shroff as a Navy officer in hideous VFX. It’s a film that thinks cutesy exchanges between the hero and the
It’s a film where the same actress has two back stories in a twist that feels so twisted that it twists your brain. It’s a film that echoes Kaho Naa Pyaar Hai. It’s a film that’s so pretentious in its telling that swag soon turns
Rating: 1.5 (out of 5 stars)
Baaghi
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