What's Happening?
The Burlington, Vermont-based indie rock band Brunch, composed of Philip Bern (guitar), Cameron Mincar (guitar and vocals), Mason Kosman (bass and vocals), and Ayden Flanigan (drums), is reexamining rock 'n' roll mythology through a modern lens with their
latest double release, 'Please Kill Me' and 'Man Alive.' The band, which formed during the COVID-19 pandemic, draws on punk's rebellious roots and celebrated rock 'n' roll eras, blending musical influences from different decades. Their approach involves experimenting with vintage instrumentation like the Mellotron, Moog bass synthesizer, and Solina string synthesizer to create unique arrangements. Philip Bern notes that the band's name, 'Brunch,' is a playful yet serious nod to the post-pandemic desire for normalcy, while also acknowledging societal issues. The band members met through philosophy classes and clubs at the University of Vermont, bringing a critical thinking attitude to their music.
Why It's Important?
Brunch's approach to music is significant as it challenges the romanticized narratives of rock 'n' roll history, offering a fresh perspective on its complexities and contradictions. By not merely recreating past sounds but questioning the cultural memories that shape our understanding of rock, they contribute to a more nuanced appreciation of the genre. Their use of diverse instrumentation and blending of eras demonstrates an innovative artistic process that could influence other emerging bands. This reinterpretation of rock history, particularly through the lens of a Burlington-based band, highlights the ongoing evolution of indie rock and its capacity for intellectual engagement. The band's formation in a college town like Burlington also underscores the role of academic environments in fostering creative collaborations and critical artistic expression.
What's Next?
Brunch plans to continue their musical journey, with a new album potentially on the horizon. The band recently performed at Purgatory in Brooklyn, indicating a desire to expand their reach beyond Burlington. Their ongoing exploration of rock 'n' roll mythology and their unique blend of vintage and contemporary sounds suggest that future releases will likely continue to offer thought-provoking and sonically rich experiences. As they gain more exposure, their critical approach to music history could inspire further dialogue within the indie rock scene about the narratives and influences that shape contemporary music. The band's commitment to finding their sound and generating hype around quality releases rather than quantity suggests a strategic and patient approach to their career development.
Beyond the Headlines
The band's fascination with the tension between the romanticized image of rock stardom and its often self-destructive reality delves into deeper cultural and psychological themes. Their song 'Please Kill Me,' inspired by the punk oral history book, explores the duality of artistic brilliance and personal excess, a recurring motif in music history. 'Man Alive' further examines personal struggles and the process of reconciling with change, reflecting universal human experiences. This intellectual depth, stemming from their philosophy backgrounds, elevates their music beyond mere entertainment, positioning them as artists who use their craft to comment on broader societal and existential questions. Their work implicitly encourages listeners to critically engage with the stories they consume, whether in music or other forms of cultural expression.
