What's Happening?
Nari Ward, a Jamaican-born, New York-based artist, has unveiled a new suite of works titled 'Until That Day' at the Deste Foundation's Hydra Fete. The exhibition, located at the Slaughterhouse project space on the Greek island of Hydra, features ten new pieces
that delve into themes of migration and memory, particularly focusing on the Afro-Greek community. The central piece, 'Fire Hose Man,' is a towering sculpture made from old luggage and fire hoses, symbolizing both crisis and relief. The exhibition, which runs until October 31, aims to address the pervasive anti-immigrant rhetoric by highlighting the broader context of migration as a defining aspect of the modern world.
Why It's Important?
Ward's exhibition is significant as it addresses the ongoing global discourse on immigration, a topic that remains contentious in many parts of the world, including the United States. By using art to explore these themes, Ward provides a platform for dialogue and reflection on the complexities of migration and the human experience. The exhibition also underscores the role of art in challenging societal narratives and fostering community, as seen in the interactive elements of the show, such as domino games played on tables made from scorched poplar, symbolizing resilience and rebirth.
What's Next?
The exhibition is expected to continue drawing attention and sparking discussions on migration and memory until its closing on October 31. As the art world and broader public engage with Ward's work, it may influence future artistic endeavors and public discourse on immigration. The presence of notable curators and artists at the opening suggests that the exhibition could inspire similar projects that address social and political issues through art.
