Gregg Allman, a name synonymous with Southern rock, embarked on his musical journey in the 1960s. Before achieving fame with The Allman Brothers Band, Gregg and his brother Duane explored various musical avenues, forming several bands that laid the groundwork for their future success. This article delves into Gregg Allman's early years, highlighting the bands he was part of and the experiences that shaped his musical career.
The Houserockers and The Escorts
In the early 1960s, Gregg
and Duane Allman began their musical exploration in Daytona Beach, Florida. It was here that they met Floyd Miles and joined his band, the Houserockers. This initial experience allowed Gregg to observe and learn from seasoned musicians, honing his skills in phrasing and performance. The Houserockers served as a stepping stone, leading the Allman brothers to form their first significant band, the Escorts.
The Escorts played a mix of Top 40 and R&B music, performing at local clubs and gaining a modest following. Duane initially took on the role of lead vocalist, but he soon encouraged Gregg to step into the spotlight. This decision marked a pivotal moment in Gregg's career, as he began to develop his unique vocal style. The brothers' dedication to their craft was evident, as they spent their earnings on records to learn new songs and improve their musical abilities.
The Allman Joys and Road to Success
The Escorts eventually evolved into the Allman Joys, marking the brothers' first taste of success. The Allman Joys gained local popularity and embarked on a series of performances across the Southeast. Their first significant gig outside Daytona was at the Stork Club in Mobile, Alabama, where they played for 22 consecutive weeks. This period was crucial for Gregg, as he learned to captivate audiences and refine his stage presence.
In Pensacola, Florida, Gregg received his first Vox keyboard, which he learned to play during the band's tour. This new skill added depth to their performances and expanded Gregg's musical repertoire. By the summer of 1966, the Allman Joys had the opportunity to record in a Nashville studio, producing several tracks that would later be released as "Early Allman" in 1973.
Transition to Hour Glass
In 1967, the Allman brothers faced a turning point. They moved to Los Angeles, encouraged by Bill McEuen, manager of the Nitty Gritty Dirt Band. This relocation led to a recording contract with Liberty Records, and the band adopted the name Hour Glass. Despite the challenges of recording under a producer's direction, Gregg continued to write original compositions, striving to break free from the constraints of pop music.
The experience with Hour Glass was a learning curve for Gregg, as he navigated the complexities of the music industry. Although the band eventually disbanded, this period was instrumental in shaping Gregg's musical identity and setting the stage for the formation of The Allman Brothers Band.
