The Toronto International Film Festival (TIFF) 2025 has been buzzing with cinematic brilliance, but Janhvi Kapoor made sure fashion had its own moment on the global stage. With Rhea Kapoor styling her
in ensembles that bridged cultural heritage with archival couture, Janhvi’s appearances have become the talk of both fashion circles and film enthusiasts. Whether reimagining Kashmiri textiles or walking in vintage Prada, she reminded us that red carpet fashion can be as much about storytelling as it is about glamour.
Janhvi in resham saree & ’80s men’s jamavar jacket
For her first TIFF appearance, Janhvi embraced the artistry of Abu Jani Sandeep Khosla with a resham saree inspired by the intricate motifs of jamavar weaves. Draped with effortless grace, the look was elevated by a vintage men’s jamavar jacket from the 1980s — upcycled, re-embroidered, and styled to blend old-world craft with contemporary red-carpet power dressing. The jacket, with its rich textures and historical weight, became the centrepiece of her ensemble, a bold reminder that heritage never goes out of style when reinterpreted thoughtfully.
Adding further depth, Janhvi paired the look with a jamavar shawl adorned with delicate resham tassels, a subtle nod to Kashmiri craft traditions. Her accessories told their own story too — silver earrings designed as a modern tribute to the Kashmiri dejhur, reimagining a bridal ornament into a red-carpet jewel. On her feet, block heels embroidered with the same jamavar motifs tied the whole look together without overwhelming it.
Her glam was kept minimal yet polished: a soft, dewy base, muted pink lips, gently contoured cheeks, and eyes defined just enough to add sharpness. The sleek low bun with a neat middle partition, finished with a dainty black bindi, gave the outfit its perfect traditional punctuation.
Janhvi's archival Prada gold saree
If her first look was a celebration of Indian textile legacies, Janhvi’s second outing leaned into global couture heritage. She walked in a strapless gold number from Prada’s Spring 2004 collection — a rare archival piece that merged sari-inspired silk with the structured elegance of Western silhouettes. The dress shimmered with intricate embroidery and motifs reminiscent of traditional Indian craftsmanship, yet its tailored form gave it a thoroughly modern edge.
