What's Happening?
Jun Robles Lana's play, 'About Us But Not About Us,' delves into themes of trauma, self-discovery, and liberation within the confines of a post-pandemic setting. The narrative follows three main characters: Eric, a university professor; Lance, his student; and Marcus, a deceased professor and Eric's former partner. The play is set in a cozy café as pandemic restrictions are lifted, where Eric and Lance confront their shared grief over Marcus's suicide. The play, originally a screenplay written by Lana during the pandemic, explores the intergenerational trauma and personal struggles of its characters. The production, which runs from February 14 to March 8, 2026, in Makati City, is a theatrical adaptation of a film that won several awards, including
Best Film at the Tallinn Black Nights Film Festival.
Why It's Important?
The play's exploration of trauma and self-discovery is significant as it reflects the broader societal impacts of the COVID-19 pandemic, which saw increased mental health issues and strained relationships. By addressing these themes, the play resonates with audiences who have experienced similar challenges. The production also highlights the power of storytelling in processing personal and collective trauma, offering a space for reflection and empathy. The adaptation from film to stage allows for a deeper exploration of character dynamics and provides a fresh perspective on the narrative, making it relevant to both new audiences and those familiar with the film.
What's Next?
As the play continues its run, it may spark discussions on mental health and the long-term effects of the pandemic on personal relationships. The production could inspire similar adaptations that explore contemporary issues through the arts. Audience reactions and critical reviews will likely influence future productions and adaptations of the play. Additionally, the play's success could lead to further international recognition and opportunities for the creative team.
Beyond the Headlines
The play's focus on trauma and self-discovery within a pandemic context offers a unique lens on the human condition, emphasizing the importance of confronting and expressing personal struggles. It also raises questions about the role of art in healing and the potential for theater to serve as a catalyst for social change. The production's ability to stand alone from its cinematic roots demonstrates the versatility of storytelling across different media.
