What's Happening?
The Museum of Contemporary Art (MOCA) has acquired 'Unmanned Drone,' a sculpture by artist Kara Walker, as part of its 'Monuments' exhibition. This piece, originally a statue of Confederate General Stonewall Jackson, was transformed by Walker using a plasma
cutter and welding techniques. The statue, which was removed from Charlottesville, Virginia, after the 2017 Unite the Right rally, has been reimagined to focus on Jackson's horse, Little Sorrel, rather than the general himself. This acquisition is part of MOCA's effort to expand its collection with significant contemporary works, including those by artists like Jacqueline Humphries and Julie Mehretu.
Why It's Important?
The acquisition of 'Unmanned Drone' by MOCA highlights the ongoing dialogue about the role of Confederate monuments in public spaces. By transforming the statue, Walker challenges the traditional narratives associated with these monuments, emphasizing the need for a critical examination of history and its representation. This move by MOCA reflects a broader trend in the art world to address social and historical issues through contemporary art. It also underscores the museum's commitment to diversifying its collection and engaging with works that provoke thought and discussion about race, history, and identity.
What's Next?
The inclusion of 'Unmanned Drone' in MOCA's collection may inspire other institutions to reconsider how they handle controversial historical artifacts. As debates over Confederate monuments continue across the United States, museums and galleries might increasingly look to artists to reinterpret these symbols in ways that foster dialogue and understanding. Additionally, this acquisition could encourage further collaborations between artists and institutions to address complex social issues through art.
