What's Happening?
The second season of Netflix's series 'Beef' has expanded its storytelling through the use of 65mm cinematography, a choice made by cinematographer James Laxton. Following the success of Season 1, which focused on the consequences of poor life choices,
Season 2 delves deeper into the dynamics between multiple couples. Laxton, who took over from Season 1's director of photography Larkin Seiple, opted for the ARRI 265 camera to capture the intricate relationships and power dynamics among the characters. This choice allowed for a large format that provided both the cinematic quality seen in films and the efficiency required for television production. The season explores generational cycles and connections, with Laxton using ARRI DNAs to blend modern and vintage aesthetics, enhancing the narrative's depth.
Why It's Important?
The use of 65mm cinematography in 'Beef' Season 2 marks a significant development in television production, showcasing how streaming platforms like Netflix are pushing the boundaries of visual storytelling. This approach not only enhances the viewer's experience but also sets a precedent for future series aiming to achieve a cinematic feel. By focusing on generational cycles and relationships, the series offers a nuanced exploration of human connections, appealing to audiences seeking depth in character development. The technical advancements in cinematography could influence other productions to adopt similar methods, potentially raising the standard for visual storytelling in television.
