What's Happening?
John Patton Ford, director of 'How to Make a Killing,' provides insights into the film's complex ending and character motivations. The movie, a reimagining of the 1949 British film 'Kind Hearts and Coronets,' follows Becket Redfellow, played by Glen Powell,
as he attempts to claim a $28 billion inheritance by eliminating his relatives. The film concludes with Becket being framed for a murder he didn't commit, leading to his imprisonment. Despite being released, Becket finds himself in a life devoid of meaning, as his love interest Ruth leaves him, and he is left with Julia, a character who manipulated him. Ford explains that the ending was designed to reflect the irony of Becket achieving his goal only to realize it wasn't what he truly wanted.
Why It's Important?
The film's narrative explores themes of morality, ambition, and the consequences of one's actions. By choosing a complex ending, Ford challenges audiences to reflect on the nature of success and fulfillment. The character of Becket, portrayed as both a victim and a perpetrator, raises questions about ethical boundaries and personal responsibility. This approach not only engages viewers but also prompts discussions about the societal values surrounding wealth and power. The film's reception could influence future storytelling in cinema, encouraging more nuanced portrayals of characters and their journeys.
