What's Happening?
The psychological horror film 'No Onions,' directed by Aarti Neharsh, is making waves at the WAVES Film Bazaar, part of the International Film Festival of India (IFFI). The film, set in Ahmedabad, explores themes of purity, caste, and domestic control through the story of a pregnant woman whose cravings for forbidden foods disrupt her devout household. Co-produced by Shakun Batra of Jouska Films and Dimpy Agrawal of Gubbara Entertainment, 'No Onions' has been pre-selected for the Sundance Development Track and is currently in late development. The filmmakers are seeking additional co-producers, financiers, and sales partners to move into pre-production by mid-2026.
Why It's Important?
The film 'No Onions' addresses significant social issues such as caste purity
and religious discipline, which are deeply rooted in Indian society. By reframing vegetarianism through the lens of caste purity, the film challenges international perceptions of ethical lifestyles. This exploration of social segregation and domestic control is crucial in understanding the cultural dynamics within Indian households. The film's success at international festivals could pave the way for more stories that delve into the complexities of Indian social structures, potentially influencing global perceptions and fostering cross-cultural dialogue.
What's Next?
As 'No Onions' seeks co-producers and financiers at the WAVES Film Bazaar, the next steps involve securing the necessary funding to move into pre-production. The film's pre-selection for the Sundance Development Track indicates potential for international recognition, which could attract more partners. The filmmakers aim to begin pre-production by mid-2026, with the possibility of further festival selections and awards enhancing its profile. The film's development could also spark discussions on the portrayal of Indian social issues in cinema, influencing future projects and collaborations.
Beyond the Headlines
Beyond its immediate narrative, 'No Onions' offers a deeper commentary on the intersection of dietary practices and social hierarchies in India. The film's focus on the domestic sphere as a site of horror highlights the often-overlooked tensions within seemingly harmonious homes. By using the horror genre, Neharsh provides a cinematic platform to explore personal and societal ideas, drawing inspiration from Korean horror films known for their social commentary. This approach could inspire filmmakers to use genre cinema as a tool for social critique, expanding the scope of storytelling in Indian cinema.
