What's Happening?
Róis, an acclaimed Irish singer also known as Rose Connolly, is reviving the ancient Irish tradition of keening through her music. Keening, a traditional vocal lament for the dead, was once a central part of funeral rites in Ireland. Róis's latest project, 'Mo Léin,' merges experimental electronic production with traditional singing, drawing inspiration from these ancient mourning practices. Raised in a musical household in County Fermanagh, Róis initially studied Irish traditional music before pursuing further education in Dublin and the Netherlands. Encouraged by her lecturers, she began exploring her Irish heritage more deeply, learning and performing in her native language. Her work has been well-received, earning her two wins at the 2025
Northern Ireland Music Prize and a nomination for the RTÉ Choice Music Prize.
Why It's Important?
Róis's work is significant as it represents a cultural revival of a nearly lost tradition, bringing attention to the rich heritage of Irish music. By incorporating keening into modern music, she not only preserves this cultural practice but also introduces it to new audiences, potentially inspiring a broader appreciation for traditional Irish arts. This revival also highlights the importance of cultural heritage in contemporary art, encouraging other artists to explore and reclaim their cultural roots. Furthermore, Róis's success in the music industry underscores the growing acceptance and celebration of traditional elements in modern music, which can lead to a more diverse and enriched cultural landscape.
What's Next?
Róis plans to continue exploring new concepts in her music, aiming to transcend fear and encourage personal growth through her art. Her future projects may further delve into cultural themes, potentially expanding her influence and inspiring other artists to explore their heritage. As she continues to perform and gain recognition, Róis may also play a role in fostering a greater appreciation for traditional Irish music and its integration into contemporary genres.
Beyond the Headlines
Róis's revival of keening not only preserves a cultural practice but also challenges the historical stigmatization of such traditions. By performing keens to full audiences without shame, she reclaims a practice that was once suppressed, particularly by the Catholic Church in the 18th century. This act of cultural reclamation can inspire similar movements in other communities, encouraging a broader recognition and celebration of diverse cultural heritages. Additionally, her work highlights the role of women in preserving and transmitting cultural traditions, as keening was predominantly a women's practice.
