John Williams Critiques Film Music as Lesser Art Form

What's Happening?

John Williams, a renowned composer with a career spanning 70 years, has expressed a critical view of film music. Despite his significant contributions to the industry, including scores for iconic films like Star Wars and Jurassic Park, Williams stated in an interview with the Guardian that he does not hold film music in high regard. He described it as ephemeral and fragmentary, suggesting that it lacks the substance to be considered concert music. Williams' comments were characterized by Tim Grieving, who is writing a biography on him, as genuine and not an act of false modesty.

Why It's Important?

Williams' perspective on film music challenges the conventional appreciation of the genre, which is often celebrated for its emotional and narrative impact. His critique may influence how film music is perceived within the broader context of musical artistry. While Williams acknowledges the functional nature of film scores, his own work has elevated the genre, drawing audiences to traditional music venues. This discussion could spark debates on the artistic value of film music and its place in the concert hall compared to classical compositions.

What's Next?

Williams' comments may lead to further exploration and discussion within the music and film industries about the artistic merit of film scores. As Grieving's biography on Williams progresses, it may provide additional insights into the composer's views and influence. The industry might see a shift in how film music is composed and appreciated, potentially leading to new approaches that bridge the gap between film and concert music.

Beyond the Headlines

Williams' critique highlights a cultural dimension where film music is often seen as a lesser art form compared to classical music. This perception may affect how composers approach their work, balancing artistic integrity with commercial demands. The discussion also touches on the evolving role of film music in cultural and entertainment contexts, where it serves both as a narrative tool and a standalone art form.