'Barefoot Boy with Cheek' is a 1947 Broadway musical that offers a comedic take on college life. Based on Max Shulman's 1943 novel, the musical was brought to life with music by Sidney Lippman and lyrics by Sylvia Dee. It premiered at the Martin Beck Theatre on April 3, 1947, and ran for 108 performances before closing on July 5 of the same year.
The Origins of 'Barefoot Boy with Cheek'
The musical 'Barefoot Boy with Cheek' was adapted from Max Shulman's novel of the same name, published
in 1943. Shulman, known for his humorous writing, crafted a story that satirizes college life at a fictional version of the University of Minnesota. This setting provided a rich backdrop for the musical's comedic elements, allowing audiences to engage with the exaggerated antics of college students.
The transition from novel to stage was facilitated by the creative team of Sidney Lippman and Sylvia Dee, who composed the music and lyrics, respectively. Their collaboration resulted in a score that complemented Shulman's witty narrative, bringing the characters and their college escapades to life through song and dance.
The Broadway Production
Before its Broadway debut, 'Barefoot Boy with Cheek' underwent out-of-town tryouts in New Haven and Boston in March 1947. These tryouts were crucial for refining the production, leading to changes such as the removal of the original act one finale, "Don't Spoil the Party," before the show opened in New York.
The Broadway production was directed and produced by George Abbott, a prominent figure in theater at the time. Milton Rosenstock served as the music director, while Richard Barstow handled choreography. The set and lighting design were crafted by Jo Mielziner, adding visual flair to the comedic narrative. Despite mixed reviews from New York critics, the show enjoyed a successful run, with audiences responding positively to its humor and charm.
The Musical's Legacy
Though 'Barefoot Boy with Cheek' had a relatively short run on Broadway, its impact lingered. In 2011, a reading of the musical was held at Manhattan Theatre Club's Creative Center, featuring a cast that included Jenn Colella and Max von Essen. This reading was part of UnsungMusicalsCo. Inc's Archival Project, which aimed to preserve and celebrate lesser-known musicals.
The 2011 reading retained much of the original libretto, including the previously cut song "Don't Spoil the Party." This revival highlighted the enduring appeal of Shulman's comedic vision and the musical's lively score. 'Barefoot Boy with Cheek' remains a testament to the creativity and humor of mid-20th-century American theater, continuing to entertain audiences with its playful take on college life.
