The transformation of John R. Powers' novel "Do Black Patent Leather Shoes Really Reflect Up?" into a musical is a fascinating journey that highlights the interplay between literature and theater. Published in 1975, the novel was adapted into a musical in 1979, capturing the essence of the 1950s Catholic education experience. Despite its brief Broadway run, the musical has found enduring popularity in regional and community theaters, showcasing the timeless
appeal of its coming-of-age story.
From Page to Stage
John R. Powers' novel "Do Black Patent Leather Shoes Really Reflect Up?" was published in 1975, offering readers a humorous and poignant look at Catholic education in the 1950s. The story follows eight Chicago children from elementary school through their senior prom, touching on themes such as first confessions, puppy love, and the quirks of Catholic school life. The novel's unique blend of humor and nostalgia made it a prime candidate for adaptation into a musical.
In 1979, the novel was transformed into a musical with music and lyrics by James Quinn and Alaric Jans. The adaptation retained the novel's charm, bringing the story to life on stage with catchy tunes and engaging performances. Produced by Libby Adler Mages and Daniel Golman, the musical captured the essence of the era, resonating with audiences who appreciated its nostalgic look at growing up in a Catholic school.
The Chicago Success
The musical premiered in Chicago in 1979, where it enjoyed a successful run at the Forum Theater for over three years. The production featured notable performers such as Megan Mullally, Anthony Crivello, and Chloe Webb, contributing to its popularity. The show's success in Chicago was marked by its ability to break house records during its two runs in Philadelphia, demonstrating its appeal beyond its initial audience.
Despite its success in regional theaters, the musical faced challenges when it moved to Broadway. Opening at the Alvin Theatre on May 27, 1982, the show closed after just five performances. Directed by Mike Nussbaum and choreographed by Thommie Walsh, the Broadway production featured Russ Thacker as Eddie and Maureen Moore as Becky. However, it failed to replicate the success it had enjoyed in Chicago.
Enduring Legacy
Although the Broadway run was short-lived, "Do Black Patent Leather Shoes Really Reflect Up?" has continued to be a popular choice for regional and community theaters. The musical's licensing agent, Samuel French, Inc., reports over 250 performances annually in North America, indicating its lasting appeal. The story's themes of growing up, friendship, and self-discovery resonate with audiences, ensuring its place in the theatrical landscape.
The musical's journey from novel to stage highlights the challenges and triumphs of adapting literature for theater. While its Broadway run was brief, the enduring popularity of "Do Black Patent Leather Shoes Really Reflect Up?" in regional theaters speaks to the timeless nature of its story and the universal themes it explores.
