The Magic Show, a Broadway musical that opened in 1974, was a production that defied conventional expectations. Featuring magician Doug Henning, it was a one-act musical that combined the art of illusion with theatrical performance. This show was notable not only for its impressive run of 1,920 performances but also for its unique approach to integrating magic into a Broadway setting.
A Star Without Singing or Dancing
The Magic Show was distinctive in that its star, Doug Henning, was neither
a singer nor a dancer, which is unusual for a Broadway lead. Instead, Henning was a magician, and the show was crafted around his talents. Stephen Schwartz, the composer-lyricist, noted that the production was about writing around a star rather than for one. This approach allowed Henning's magic tricks and illusions to take center stage, captivating audiences with feats of wonder rather than traditional musical theater performances.
The decision to focus on Henning's magic rather than his singing or dancing abilities was a bold move that paid off. The show was a hit, and Henning's performance earned him a Tony Award nomination for Best Featured Actor in a Musical. This success demonstrated that Broadway could embrace unconventional talents and still achieve critical and commercial success.
The Evolution from Spellbound to The Magic Show
The Magic Show's journey to Broadway began with a different production called Spellbound. Produced by Ivan Reitman, Spellbound premiered in Toronto in 1973 with a book by David Cronenberg and music by Howard Shore. However, when Reitman decided to bring the show to New York, significant changes were made. The book and score were entirely replaced, but Henning's illusions remained a central element.
This transformation from Spellbound to The Magic Show highlights the adaptability and creativity required to succeed on Broadway. By retaining the core element of Henning's magic while revamping the surrounding narrative and music, the producers created a show that resonated with audiences and critics alike.
A Mixed Reception and Lasting Impact
The Magic Show received mixed reviews from critics. While some praised Henning's magical prowess, others were less impressed with the overall production. Clive Barnes of The New York Times described Henning as "terrific" but found the show itself lacking. Despite this, the production's success was undeniable, and it became a popular choice for families seeking entertainment.
The show's impact extended beyond its Broadway run. A filmed performance was released on DVD in 2001, allowing new audiences to experience Henning's magic. The Magic Show's blend of illusion and theater paved the way for future productions that would explore similar themes, proving that magic could find a home on the Broadway stage.
