Billy Joel's fourth studio album, 'Turnstiles,' released in 1976, marked a significant moment in his career. This album was a celebration of his return to New York City after a stint in California, and it was deeply influenced by his experiences and emotions during this transition. The production of 'Turnstiles' was a journey in itself, involving a change in producers and a return to Joel's musical roots.
Initial Recording Sessions
The initial recording sessions for 'Turnstiles'
took place at Caribou Ranch in Colorado. Joel worked with members of Elton John's band, including Nigel Olsson on drums and Dee Murray on bass, under the production of James William Guercio. However, Joel was dissatisfied with the results. The sound did not capture the essence he was aiming for, which led him to make a bold decision. He decided to take over as producer and re-record the entire album.
This decision was pivotal. Joel returned to New York, where he felt more connected to his music and surroundings. He chose to work with his touring band, which included Long Island musicians Richie Cannata, Liberty DeVitto, Russell Javors, Howie Emerson, and Doug Stegmeyer. This marked the first time Joel's band played on one of his studio albums, bringing a more authentic and personal sound to the project.
The Influence of New York City
New York City played a crucial role in shaping the album's sound and themes. Joel's return to his hometown inspired several tracks, including "New York State of Mind," "Summer, Highland Falls," and "Miami 2017 (Seen the Lights Go Out on Broadway)." These songs reflect Joel's deep connection to the city and his experiences there.
The album opens with "Say Goodbye to Hollywood," a track inspired by the Ronettes' song "Be My Baby." This song, along with "I've Loved These Days," expresses Joel's mixed feelings about leaving the glitz and glamour of Hollywood behind. The lyrics of "James" were inspired by various people Joel knew, with the title character being a composite of these individuals.
Creative Decisions and Challenges
One of the standout tracks, "Prelude/Angry Young Man," features Joel rapidly hammering the piano to simulate the drum part in the song "Wipe Out" by the Surfaris. This creative decision added a unique flair to the track, showcasing Joel's innovative approach to music.
The album cover, shot at the Astor Place subway station in New York City, features characters representing different songs from the album. This visual representation added another layer of depth to the album, connecting the music to the vibrant life of the city.
Overall, 'Turnstiles' was a turning point for Billy Joel. It was a project that allowed him to take control of his music and express his personal experiences and emotions. The album's production journey, from initial dissatisfaction to a triumphant return to New York, reflects Joel's dedication to his craft and his desire to create music that resonates with authenticity and heart.
