Sharvari
didn’t quite get the dreamy launch in the film industry. Instead, she chose a complex web series that tested her potential as a performer and not a Bollywood star. The granddaughter of ex-Maharashtra Chief Minister Manohar Joshi, she took time to find her footing in the industry. Sharvari forayed into the industry with The Forgotten Army, a series co-starring Sunny Kaushal. Her big-screen debut, Bunty Aur Babli 2, came in 2021 in theatres when COVID-19 was still a threat. Despite being a promising face, Sharvari had to wait.
Sharvari's rocky start in Bollywood
Bunty Aur Babli 2 did not match expectations at the box office, but that did not deter Sharvari from experimenting. The YRF romantic comedy gave her a chance to share the screen with veterans like Saif Ali Khan, Rani Mukerji and Siddhant Chaturvedi. Sharvari, a newcomer then, was yet to get acclimatised to perform organically in front of the cameras. She had the perfect dance moves, but a fresh face for the audience to recognise and associate with.
What Munjya did for Sharvari
For the next three years, Sharvari had no releases. She went missing from the public eye. At that stage, she had nothing to lose. However, when
Munjya was announced, the audience was suddenly intrigued to know more about the light-eyed beauty.
Taras, the chartbuster song from the horror-comedy, got all hooked. Overnight, Sharvari became the most-talked-about actress. A lot was at stake, but Sharvari remained optimistic. She was returning to the big screen after three years. The fate of Munjya was uncertain because the film had ‘no stars’ backing its box office credibility. Despite its limited promotions and heavy reliance on content and songs,
Munjya broke box office records. Sharvari was lauded for her dance. Still, the film did not offer much in terms of showcasing what she is capable of as an actor. Here, Sharvari’s beauty appealed to the youth instead of her acting prowess.
Munjya, Maharaj and Vedaa put Sharvari on the map
Munjya was just the beginning for Sharvari. While her character in the film had limited potential,
Maharaj on Netflix did wonders for her. As Viraaj, she used her vivaciousness to bring the character alive. It seemed the reel role was an extension of her real personality. She became the ‘best part’ of the otherwise one-toned and badly enacted movie based on the Maharaj Libel Case initiated by Jadunathjee Brizrattanji Maharaj, a leader of the Pushtimarg sect, against Karsandas Mulji.
Vedaa, her third release in 2024, did not get box office success or even critical acclaim for her performance. With this, it was clear that Sharvari has a better command over commercial, quintessential heroine-style roles. Something that balances content with song-and-dance numbers, even if that’s not author-backed. It seems Imtiaz Ali understood her zone.
Sharvari - as imagined by Imtiaz Ali
Recognising her potential as an actor and tapping into a zone that she is most comfortable with, he crafted Jiya/Afsana exactly the way the Indian audience wants to see the leading lady. In
Main Vaapas Aaunga, she plays a Muslim woman named Afsana, who falls in love with a Sikh man, Keenu/Ishar. There is drama, heartbreak, gorgeous outfits and an earnestness that one can rarely see in Bollywood heroines now.
Main Vaapas Aaunga is a Naseeruddin Shah show throughout, but Sharvari completes the frame with her gentleness. Afsana is the heroine one would expect in a classic Hindi romantic film. People like her are now missing from the big screen. Call it the dearth of drop-dead gorgeous and cinematic-looking heroines or how Imtiaz taps into her best, Sharvari does work like magic in the film. Cutting through the seriousness of the subject, she is a breath of fresh air that makes the partition drama emotional. It is Keenu and Jiya’s love story that faces the brunt of war.
Sharvari's bubbliness makes Jiya special
Jiya’s innocence tugs at the bottom of the heart. Sharvari’s graph as a performer in
Main Vaapas Aaunga is well-curated and crafted. Without Jiya, Keenu’s love story would have been impossible. In one scene, she would be dancing to Maskara, oozing the beauty of young love, and in the next, Jiya’s regret about not meeting Keenu for the last time breaks the heart.
Why is Sharvari a quintessential Bollywood heroine
Romance in modern cinema is more about performative flairs. Imtiaz refrains from giving Sharvari the tried and tested graph. The character is simple, with no hate for anyone. She is innocent, while being the bold and unhinged woman who doesn’t shy away from odds. Jiya is the person who would flirt with Keenu in the coyest way. When Keenu calls her Queen Victoria playfully, she imagines herself as the queen and walks with her head held high and a smile that’s too sweet to hide the butterflies she feels in her stomach. This ‘Mallika Dilfareb’ knows how to protect her heart from being stolen by war-supporting people.
Sharvari and Vedang Raina's romance in Main Vaapas Aaunga
A kiss between Jiya and Keenu could have been awkward. But Sharvari’s performance and emotional intelligence make it sweet and respectful. They never kiss, though. Imtiaz finally brings out his quintessential heroine in Sharvari, a side rarely seen in the films she has done. For the first time, Sharvari’s vivaciousness has been taken into account, instead of just presenting her as a glamourous diva through songs. She looks comfortable too. In reality, she is energetic, bubbly and chatty, just like every girl in her youth. The combination of a quieter Vedang and lively Sharvari works on and off-screen.
Up next for Sharvari
Her performance and presentation of Jiya show her growth over the years. It feels that she has finally understood the style of cinema that matches her personality. Going forward, Sharvari has many avenues to explore and subjects to experiment with. Given how her youthful appeal and freshness are presented currently, she could bring back the wave of commercial, dramatic and relatable heroines.