Sharvari made her Bollywood debut in Rani Mukerji and Saif Ali Khan starrer Bunty Aur Babli 2. She is now seen in Imtiaz Ali’s Main Vaapas Aaunga with Vedang Raina, Diljit Dosanjh and Naseeruddin Shah. In a recent chat, she reflected on how she gets inspired when working with passionate actors. She also opened up about her experience of shooting Main Vaapas Aaunga.
Sharvari said, as quoted by Hindustan Times, “Anybody who is doing this, whichever generation they come from, people are so passionate about films, and I get inspired by that. Rani ma’am inspires you to want to do better every day because she is a powerhouse, and the same applies for even Vedang for that matter…”
The actress explained, “…Because even he’s so passionate about what he wants
to do. The most common thing that I’ve seen in everybody is that desire and fire to wanting to make it just amazing.” Sharvari also opened up about what it was like to live in the world of 1940’s India while filming Main Vaapas Aaunga.
Sharvari said, “It was beautiful and surreal. Even while we were shooting, ek sukoon tha. There is something just very pure about that time. Whatever connections that you build, or even when we were playing our parts as Jiya and Keenu (played by Vedang Raina), I remember that whenever we did our scenes, it felt like the time had stopped and everything was still, when it wasn’t, and there were so many people on set.”
“I can count on my hand the times when we were performing, and I felt like the time just stopped and we weren’t really saying anything. We weren’t even having conversations. They were just moments between two people, and it’s really special to be able to feel something like that in that era. We were dressed up like that, the houses were like that. So, somewhere in our minds, even we were in that space,” she said.
The film comes at a time when romances are witnessing a resurgence. However, the actress doesn’t think that following a formula guarantees success. Sharvari said, “I feel that when there will be more genres that will start getting liked, people will pivot to that space.”
It’s about well-made films and films that make the audiences feel something when they come to the theatre, because it’s a task for people to say that ‘okay, I’m going to buy these many tickets’. If a whole family is going to come to see something, then we should be able to fulfil the promise of making them feel something, and that is precisely why a film like ours is exciting,” she concluded.

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