Pati Patni Aur Woh Do, starring Ayushmann Khurrana, Wamiqa Gabbi, Sara Ali Khan, and Rakul Preet Singh, was released in theatres on May 15, 2026. Following its theatrical run, the film is now all set for its OTT premiere. The comedy-drama is set to premiere on Netflix on July 10, 2026.
The makers of the film have officially announced its OTT premiere. As per the update, the Ayushmann Khurrana starrer will be available to stream from July 10, 2026, exactly eight weeks after its theatrical release.
#PatiPatniAurWohDo | from July 10th | Netflix pic.twitter.com/qmBxZtl4xw
— CinePhani 🎬 (@CinePhani_) July 7, 2026
About Pati Patni Aur Woh Do
The film follows the story of Prajapati Pandey, a forest department officer whose life takes a drastic turn when
he meets an old friend seeking his help. What starts as a mission to help a friend quickly turns into a chaotic situation, leaving Prajapati spiralled into a web of chaos, confusion, and awkward comedy.
The comedy-drama, starring Ayushmann Khurrana, Sara Ali Khan, Rakul Preet Singh, and Wamiqa Gabbi, is the sequel to the 2019 film Pati Patni Aur Woh. The film marks director Mudassar Aziz’s return to the franchise after the first instalment, which featured Kartik Aaryan, Bhumi Pednekar, and Ananya Panday. The latest instalment also features a large ensemble cast that includes Vijay Raaz, Tigmanshu Dhulia, Vishal Vashishtha, Guneet Singh Sodhi, Durgesh Kumar, Ayesha Raza Mishra, Shireesh Kumar Sharma, and Deepika Amin, alongside the principal leads.
Pati Patni Aur Woh Do’s News18 Review
Last year, the makers revealed that the film would release in theatres on March 4, 2026, during Holi. However, its release was later postponed to May 15, 2026. Following the movie release, it received mixed reactions from the audience and critics alike. CNN-News18 Showsha rated the film 3.5 stars and a part of our review reads, “At 1 hour and 57 minutes, Pati Patni Aur Woh Do is like a ride at a local fair – nothing too snazzy or expensive, but still fun, for the most part. And then there are the histrionics. This is a film that thrives on excess – excess pandemonium, excess coincidences, excess screaming, excess melodrama and, at times, excess confidence in its own absurdity.”

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