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Paradise City Sales has boarded worldwide sales on Iranian filmmaker Mohsen Gharaei’s latest feature, “Falling House” which is set to world premiere in the Horizons section at the Venice Film Festival.
“Falling House”
marks his follow up to “Blockage,” a 2017 drama that portrayed contemporary Iranian society and won best film at Busan before going on to play at Rotterdam and Munich.
CAA Media Finance is handling U.S. rights, while Paradise City Sales represents international sales on “Falling House.”
The film follows a modest family on the outskirts of Tehran who faces the imminent destruction of their home as part of a vast redevelopment project. While Rashid, the father and a prison guard, is being accused of corruption, he discovers that his eldest daughter, Ensi, is secretly planning to leave Iran to become a model. As the bulldozers draw ever closer, the tensions within the household begin to rise.
“The most terrifying structures are the ones that no longer need a tyrant,” said Gharaei. “Their logic has already taken root in the minds of many. They become truly powerful the moment they are no longer recognized as violence. A prison no longer needs walls. It only needs people willing to call it home.”
Written by Mohsen Gharaei and Amir Mohammad Abdi, “Falling House” stars Laleh Marzban, Rima Raminfar, Farhad Aslani and Elena Khakbaz. The film is scored by critically acclaimed composer Max Richter (“Hamnet”), cinematography by Farshad Mohammadi, editing by Evelyn Rack (“Sound of Falling”) and Emad Khodabakhsh, and sound design by Oscar-nominated Ansgar Frerich (“Of Fathers and Sons”).
“Falling House” is produced by Milad Khosravi and Mohsen Gharaei for Seven Springs Pictures (“Divine Comedy”), Oscar-winning producer Odessa Rae for RaeFilm Studios (“The Voice of Hind Rajab”), and Daya Fernández, Amaury Nolasco and Alois Rubenbauer for 3SIX9 Studios. Basis Berlin Filmproduktion (“Of Fathers and Sons”) and Zentropa Germany (“King’s Land”) are co-producing, with Oscar-nominated producer Jon Kilik (“Babel,” “The Hunger Games”) serving as executive producer.
“‘Falling House’ carries a warning we have felt growing for years,” said Khosravi, who is producing for Seven Springs Pictures. He added that the idea for the film “was conceived long ago, and the screenplay was completed before the present madness in our country could have been imagined.” “Yet today the film feels painfully prophetic, reflecting the long-term suffering of ordinary people who have endured decades of oppression and now face the fear and uncertainty brought by the ongoing war,” he continued.
Rae at RaeFilm Studios pointed “Falling House” is not a film about politics, but rather a “film about people living under its weight.” “Every system eventually arrives at someone’s front door. Mohsen captures this with extraordinary restraint,” she added.
Jeanne Loriotti, sales executive at Paradise City Sales, said “Mohsen Gharaei has crafted a compelling, plot-driven story that combines a true sense of urgency with remarkably rich and layered characters.” She said the company was “struck by the film’s mounting tension, its emotional depth, and its remarkable performances, particularly from the female cast.” Mohsen Gharaei is represented by Seven Springs Pictures.
Paradise City Sales’ Venice slate also includes Andrea Pallaoro’s “The Echo Chamber” and Lili Horvát’s “My Notes on Mars,” opening Venice Days.
