Click here to read the full article.
Sam Neill, the versatile actor whose career of more than 50 years was highlighted by his three appearances in the blockbuster “Jurassic Park” and “Jurassic World” franchises, died on July 13 in Sydney, Australia. He
was 78.
“It is with immense sadness that the whānau [family] of Sam Neill share the news of his passing on Monday 13th July, in Sydney, Australia. Sam was surrounded by family and passed with the dignity that has characterised his whole life,” Neill’s family said in a statement. “The loss was sudden and unexpected but blessed by the fact that Sam remained cancer free. They would like to express their deepest gratitude to the staff at St Vincent’s Private Hospital for their incredible care. More details will be shared later, but for now, on behalf of the family, we ask that you respect their privacy as they navigate this immeasurable loss.”
Following the completion of principal photography for “Jurassic World Dominion” (2022), Neill revealed that he had been diagnosed with stage 3 angioimmunoblastic T-cell lymphoma, a form of blood cancer, which would require him to take chemotherapy for the remainder of his life.
In April, Neill had said he was cancer-free after almost five years of battling stage-three blood cancer.
Summarizing Neill’s career in “The New Biographical Dictionary of Film,” critic David Thomson wrote, “There’s a Sam Neill who seems always there in large films, watching Meryl Streep or the dinosaur with the basic common sense that know all stars are alike. That actor has been a patient, loyal servant to great ladies….Then look again, and see what a wry, watchful actor he is, [of] considerable intelligence.”
Born in Northern Ireland and raised in New Zealand, Neill was a pioneering figure in the development of film in the antipodes. He starred in Roger Donaldson’s action film “Sleeping Dogs” (1977), the first theatrical feature to be shot on 35mm film in New Zealand.
Two years later, he played the bedazzled, bewildered suitor of the unconventional, ambitious Sybylla Melvyn (Judy Davis) in Gillian Armstrong’s debut “My Brilliant Career”; the film, one of the key works of the Australian new wave of the ‘70s, became a worldwide hit and established its stars and director internationally.
He attracted further attention in a pair of horror films released in 1981: “Omen III: The Final Conflict,” his first major Hollywood production, in which he played the adult incarnation of satanic spawn Damien Thom, and Polish writer-director Andrzej Zulawski’s over-the-top “Possession,” in which Neill and co-star Isabelle Adjani (who received the Cannes best actress prize) played doubled roles in a stunning, agonizing body-horror saturnalia.
Neill scored a TV hit, and a Golden Globe nomination as best actor in a miniseries and TV film, in 1983, playing the real-life British agent Sidney Reilly in the 12-part series “Reilly: Ace of Spies.” It may have been his work on this show that led him to become one of the top candidates to succeed Roger Moore as James Bond, but Timothy Dalton was ultimately handed the role in 1987.
Two features opposite Meryl Streep further raised his profile as a leading man. In “Plenty” (1985), Aussie director Fred Schepisi’s adaptation of David Hare’s play, he portrayed a British spy who rekindles a brief romance with a French resistance fighter. In Schepisi’s “A Cry in the Dark” (1988), a drama based on a sensational Australian trial, Neill and Streep played a pastor and his wife accused in the disappearance and probable death of their infant daughter. The actor wrapped the decade in Phillip Noyce’s popular suspense thriller “Dead Calm,” which paired him with another popular Down Under star, Nicole Kidman.
In 1990, Neill was featured in a bona fide box office smash: “The Hunt for Red October,” the first adaptation drawn from novelist Tom Clancy’s series of Jack Ryan thrillers, playing an officer on the titular Russian submarine commanded by Captain Marko Ramius (Sean Connery) and being tracked by CIA agent Ryan (Alec Baldwin). The feature grossed more than $200 million globally.
The performer’s next high-profile endeavors were not successful: “Until the End of the World” (1991), Wim Wenders’ catastrophically recut, globe-trotting futuristic drama, which proved a commercial catastrophe, and John Carpenter’s misguided Chevy Chase vehicle, the comedy-fantasy “Memoirs of an Invisible Man” (1992).
However, 1993 proved to be Neill’s annum mirabilis. First he starred in Jane Campion’s period drama “The Piano,” as the sadistic husband of a deliberately mute woman (Holly Hunter) displaced with her daughter (Anna Paquin) in 19th-century New Zealand. The offbeat film became a critical and audience hit, grossing $140 million, and reaped Oscars for Hunter, Paquin and screenwriter Campion.
That film’s success was dwarfed by that of Steven Spielberg’s science fiction thriller “Jurassic Park,” the adaptation of Michael Crichton’s bestseller, which marked the bow of Neill’s best-known character: paleontologist Dr. Alan Grant, who tries to save a group of terrified visitors to a island theme park after genetically engineered dinosaurs run amok. The film grossed $914 million on its initial release.
Neill returned as Grant in two of the original feature’s five sequels, “Jurassic Park III” (2001) and “Jurassic World Dominion,” the third of a second trilogy in which marauding dinosaurs have escaped Isla Nubar to terrorize the world.
In an interview with Forbes, the actor said with amusement about his decades-spanning work as the character, “I always think Alan Grant is like an old comfortable pair of boots. They’ve seen better days, but they’re really comfortable, and there’s no way you’ll get rid of those. Of course, you put on the comfortable boots and the hat, and you’re back in it.
“What was familiar is what’s true of all the ‘Jurassic’ films, they’re not dinosaur films. These are films about people, ordinary people like a paleontologist or a mathematician, but in very, very extreme situations. It’s the people that generate these films. You can’t have a movie with a dinosaur as the lead because the dinosaurs have very limited interests. They just want to breed and eat things.”
After following up “Jurassic Park” with roles in Disney’s live-action rendering of “The Jungle Book” and Carpenter’s H.P. Lovecraft homage “In the Mouth of Madness,” Neill bowed as writer-director with “Cinema of Unease,” a short feature history of New Zealand cinema.
He remained active in Aussie cinema, and reunited with Judy Davis in the 1996 political black comedy “Children of the Revolution.” But he balanced that work with major Hollywood productions like the sci-fi film “Event Horizon” (1997) an expensive box office failure, and “The Horse Whisperer” (1998), the Western drama drawn from Nicholas Evans’ popular novel, which collected more than $187 million internationally.
On the small screen, Neill played Kansas detective Alvin Dewey in the 1995 miniseries remake of Truman Capote’s “In Cold Blood.” His turn in “Merlin” (1998) as the Arthurian wizard collected Primetime Emmy and Golden Globe nods as best actor in a miniseries or TV film.
The millennium bowed with “The Dish,” a comedy-drama about Australia’s role in the international space program that became the country’s biggest box office hit. While audiences’ hunger for saurian thrills waned with “Jurassic Park III,” Neill’s second turn as scientist Grant still drew $368 million internationally.
Over the course of the decade, the actor increasingly busied himself in Australian and New Zealand-based film and TV productions; he was nominated for best actor honors for his lead role in the 2004 historical telefilm “Jessica.” (He received similar kudos for his work as Cardinal Thomas Wolsey in the 2007 American miniseries “The Tudors.”)
In later years, one of his most notable roles came as the thorny foster uncle of a New Zealand juvenile delinquent in “Hunt for the Wilderpeople,” a 2016 comedy-adventure by the actor’s Oscar-winning countryman, writer-director Taika Waititi. Neill also took small roles in Waititi’s Marvel installments “Thor: Ragnarok” (2018) and “Thor: Love and Thunder” (2022). His last screen appearances were in Netflix series “Untamed” and Binge original “The Twelve.”
He was born Nigel John Dermot Neill in Omagh, County Tyrone. He emigrated with his family to Christchurch on the South Island of New Zealand at the age of seven, and took to calling himself Sam, a handle that stuck professionally. His principal studies at university were in English.
He never envisioned himself as an actor, as he was afflicted for years with a severe stutter.
He told the Sydney Morning Herald in 2023, “I was pretty silent as a child. I didn’t really want adults to talk to me because I wouldn’t be able to reply. And it wasn’t until I got to about the age of 14 or 15 that the stutter started to go away. And that coincided with getting some sort of confidence in my life as well.”
He ultimately began work on the stage while studying at Canterbury University and moved into acting professsionally in New Zealand with TV work and short films before finally breaking through in “Sleeping Dogs.”
Beyond his acting work, Neill operated the Two Paddocks winery near his home in Central Otago. He also owned a farm in the region. In 2023, he published “Did I Ever Tell You This?,” a memoir he penned swiftly following his cancer diagnosis.
Neill, who was twice divorced, is survived by his son Tim from his marriage to actress Lisa Harrow, his “Omen III” co-star, and his daughter Elena from his marriage to makeup artist Noriko Watanabe.
