What's Happening?
A new exhibition at the Bourse de Commerce in Paris, curated by Jessica Morgan, director of the Dia Art Foundation, is redefining the traditional narratives of Minimalism. The exhibition, titled 'Minimal,'
features over 100 works by more than 50 artists, including a striking centerpiece by 81-year-old U.S. artist Meg Webster. The show aims to broaden the understanding of Minimalism beyond its 1960s and 70s roots, traditionally dominated by white, male U.S. artists. Morgan's curation includes diverse voices and materials, with thematic sections on light, balance, and materialism, and features artists from the Japanese Mono-ha movement and Brazilian Neo-Concretist Lygia Pape. The exhibition seeks to challenge established art historical categories and highlight lesser-known and marginalized artists.
Why It's Important?
This exhibition is significant as it challenges the conventional understanding of Minimalism, which has often been limited to a narrow demographic. By including a diverse range of artists and materials, the exhibition not only broadens the historical scope of Minimalism but also sets a precedent for how art institutions can approach curation. This could influence future exhibitions and collections, encouraging a more inclusive representation of artists. The show also highlights the importance of revisiting and expanding art historical narratives to include a wider array of cultural and geographical perspectives, potentially impacting how art is taught and appreciated globally.
What's Next?
The exhibition is open until January 19, 2026, and is expected to attract art enthusiasts and scholars interested in the evolving narrative of Minimalism. It may inspire other institutions to adopt similar inclusive approaches in their exhibitions. The Dia Art Foundation, under Morgan's leadership, is likely to continue its efforts to diversify its collection and exhibitions, potentially influencing other art institutions to follow suit. The broader art community may see increased discussions and initiatives aimed at redefining and expanding art historical categories.
