What's Happening?
The Elder Conservatorium is set to stage its first fully staged Golden Age musical, 'How to Succeed in Business Without Really Trying,' at the University’s Scott Theatre from October 2 to October 5, 2025. Directed by Erin James, the production features the third-year Music Theatre cohort in their final musical before graduation. The musical, originally produced in 1961, is based on Shepherd Mead’s 1952 novel and features music and lyrics by Frank Loesser. It offers a satirical take on gender roles, office politics, and corporate power structures, themes that remain relevant today. The production includes a 12-piece orchestra directed by Paul Sinkinson and choreography by Alexander Kermond, blending narrative-driven movement with vibrant 1960s-inspired jazz and tap routines.
Why It's Important?
This production is significant as it revisits themes of ambition, workplace dynamics, and gender roles, which continue to resonate in modern society. By highlighting these issues through satire, the musical provides a reflective lens on how corporate culture and gender dynamics have evolved over the decades. The involvement of the third-year Music Theatre cohort offers them a platform to showcase their talents before graduation, contributing to their professional development. Additionally, the musical's orchestral score and choreography promise to deliver a rich cultural experience, appealing to both seasoned musical theatre enthusiasts and newcomers.
What's Next?
Following the staging of this musical, the Elder Conservatorium may continue to explore similar productions that address contemporary social issues through historical narratives. The success of this production could encourage other institutions to revisit classic musicals with modern interpretations, fostering discussions on societal changes. Audience reactions and critiques may influence future programming decisions at the Conservatorium, potentially leading to more diverse and inclusive productions.
Beyond the Headlines
The musical's exploration of corporate satire and gender roles may spark broader discussions on the ethical implications of ambition and power in the workplace. It could lead to increased awareness and dialogue about the persistence of these issues in today's corporate environments. The production also serves as a reminder of the enduring power of art to challenge societal norms and provoke thought, highlighting the role of theatre in cultural discourse.
