What's Happening?
Invictus Theatre Company is presenting Marcus Gardley's play 'The House That Will Not Stand' at the Windy City Playhouse in Chicago. The production explores the lives of Black women in pre-Civil War New
Orleans, focusing on the 'mariages de la main gauche,' or left-handed marriages, between French planters and free women of color. These arrangements offered some women opportunities for property ownership and freedom, but also posed significant challenges and risks. The play, directed by Aaron Reese Boseman, is a darkly comic adaptation of Federico García Lorca's 'The House of Bernarda Alba,' and features a multi-level set designed by Kevin Rolfs. The cast includes Britt Edwards, Kaylah Marie Crosby, Aysia Slade, Sierra Coachman, Sandra Adjoumani, and Shenise Brown, who bring to life the complex dynamics within the household.
Why It's Important?
The play sheds light on a lesser-known aspect of American history, highlighting the nuanced and often precarious positions of Black women in pre-Civil War society. By exploring these historical relationships, the production offers insights into the broader implications of race, gender, and power dynamics that continue to resonate today. The staging by Invictus Theatre Company not only contributes to the cultural landscape of Chicago but also encourages audiences to reflect on the historical roots of contemporary social issues. The play's exploration of themes such as freedom, identity, and societal expectations provides a platform for dialogue and understanding, making it a significant cultural event.
What's Next?
The production runs through December 14, offering audiences multiple opportunities to engage with the play's themes and performances. As the show continues, it may attract further attention from theater critics and historians interested in its portrayal of historical narratives. The success of this production could influence future programming choices at Invictus Theatre, potentially leading to more works that explore complex historical and social themes. Additionally, the play's reception may inspire other theater companies to stage similar productions, contributing to a broader cultural conversation about race and history in America.
Beyond the Headlines
The play's depiction of 'mariages de la main gauche' raises important ethical questions about consent and agency within historical contexts. It challenges audiences to consider the long-term impact of such relationships on the descendants of those involved and the societal structures that perpetuated them. The production also highlights the role of theater as a medium for exploring difficult and often overlooked aspects of history, emphasizing the importance of storytelling in shaping cultural understanding and memory.
