What's Happening?
Invictus Theatre Company is currently staging Marcus Gardley's play 'The House That Will Not Stand' at the Windy City Playhouse in Chicago. The play, which runs until December 14, delves into the intricate
social dynamics of pre-Civil War New Orleans. It focuses on the 'mariages de la main gauche,' or left-handed marriages, where French planters formed relationships with free women of color or enslaved women. These arrangements offered some women a chance at property ownership or freedom, but also posed significant risks and limitations. The play is a darkly comic take on Federico García Lorca's 'The House of Bernarda Alba,' and features a multi-level set designed by Kevin Rolfs. Directed by Aaron Reese Boseman, the production includes performances by Britt Edwards, Kaylah Marie Crosby, Aysia Slade, Sierra Coachman, Sandra Adjoumani, and Shenise Brown.
Why It's Important?
The play sheds light on a lesser-known aspect of American history, highlighting the complex social structures and racial dynamics of pre-Civil War New Orleans. By exploring these historical relationships, the production offers audiences a deeper understanding of the legacy of slavery and racial inequality in the United States. The play's themes resonate with contemporary discussions about race, gender, and power, making it a relevant and thought-provoking piece. The production also underscores the importance of diverse storytelling in theater, providing a platform for voices and narratives that have historically been marginalized.
What's Next?
The play is scheduled to run through December 14, and its reception may influence future productions and discussions around similar historical themes. The Invictus Theatre Company, known for tackling epic American dramas, may continue to explore complex narratives that challenge audiences and provoke dialogue. The success of this production could encourage other theater companies to stage works that address historical and social issues, contributing to a broader cultural conversation.
Beyond the Headlines
The play's exploration of 'mariages de la main gauche' offers a nuanced perspective on the intersection of race, gender, and power. It challenges audiences to consider the ethical implications of these historical relationships and their impact on contemporary society. The production also highlights the role of theater as a medium for social commentary and education, emphasizing the importance of preserving and sharing diverse cultural histories.
