What's Happening?
Artist Kohshin Finley is set to debut his first solo exhibition in Los Angeles, titled 'Still Life,' at the Jeffrey Deitch gallery on November 8. The show features large-scale oil portraits and ceramic vessels, highlighting Finley's friends and collaborators
within the Los Angeles art scene. The exhibition is a culmination of Finley's decade-long work in his studio, which serves as a reflection of his relationships with art history, his community, and past versions of himself. The pieces are framed in custom wooden wall hangings, created in collaboration with woodworker Lucas Raynaud, and are inscribed with poetry that Finley channels during his creative process. The exhibition aims to humanize the subjects, presenting them as individuals rather than placeholders, and serves as a tribute to the people who have influenced Finley's artistic journey.
Why It's Important?
This exhibition marks a significant milestone for Kohshin Finley, as it is his first solo show in his hometown of Los Angeles, despite having his work in permanent collections at major institutions like the Hammer Museum and LACMA. The show not only highlights Finley's artistic evolution but also underscores the importance of community and personal relationships in the creative process. By showcasing local artists and collaborators, Finley contributes to the cultural tapestry of Los Angeles, offering a platform for diverse voices and narratives. The exhibition also reflects broader themes of identity, legacy, and the interconnectedness of art and life, resonating with audiences who value authenticity and personal storytelling in art.
What's Next?
The 'Still Life' exhibition will run through January 17, providing ample opportunity for art enthusiasts and the general public to engage with Finley's work. As the show unfolds, it may attract attention from curators, collectors, and critics, potentially leading to further opportunities for Finley and the featured artists. The exhibition could also inspire discussions on the role of personal relationships in art, encouraging other artists to explore similar themes in their work. Additionally, Finley's involvement with Otis College of Art and Design as an art professor may influence a new generation of artists, fostering a community that values collaboration and personal expression.
Beyond the Headlines
Kohshin Finley's work, described by curator Helen Molesworth as 'documentaries,' serves as a historical record of life in Los Angeles during this period. The exhibition not only celebrates individual stories but also contributes to the broader narrative of the city's artistic landscape. By preserving these moments through art, Finley ensures that future generations can access and understand the cultural and social dynamics of this era. The show also raises questions about the role of art in documenting history and the responsibility of artists to capture the essence of their time.
