What's Happening?
Mike Goodridge, a prominent figure in the film industry, is preparing for a busy festival season with several projects under his production company, Good Chaos. Among these are Edward Berger's 'Ballad of a Small Player,' Laszlo Nemes' 'Orphan,' and Imran Perretta's 'Ish.' Goodridge's company is also involved in the production of 'Sisu: Road to Revenge' and Anna Biller's 'The Face of Horror.' Goodridge reflects on his career trajectory, from journalism to leading Protagonist Pictures and the Macao Film Festival, and now running Good Chaos. He emphasizes the evolving strategy of his company in a challenging environment for independent producers.
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Why It's Important?
Goodridge's insights highlight the current state of the film industry, particularly the challenges faced by independent producers. His comments on the high costs of film production in the U.S. and the lack of incentives compared to Europe and Asia underscore the difficulties American producers encounter. Goodridge's approach to balancing smaller independent films with larger studio projects reflects a strategic adaptation to industry disruptions caused by streaming platforms. His focus on director-driven projects and the potential expansion into television series indicates a shift towards diversified content creation.
What's Next?
Goodridge plans to continue developing a range of projects, including television series, as part of Good Chaos's next phase. He is also collaborating with Indochina Productions and Lawrence Osborne on a new venture, Java Road, to adapt Osborne's works. The upcoming release of 'Sisu: Road to Revenge' and the ongoing production of 'The Face of Horror' are key milestones for Good Chaos. Goodridge's ambition to secure television commissions suggests a strategic expansion into new media formats.
Beyond the Headlines
Goodridge's remarks on President Trump's tariffs and their potential impact on the U.K. entertainment industry reflect broader geopolitical influences on film production. His skepticism about the U.S. film industry's sustainability due to high costs and limited incentives points to a need for policy changes to support American filmmakers. The emphasis on director-focused projects and the collaboration with international partners highlight the global nature of film production and the importance of cross-cultural exchanges.
