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Visit Films Acquires Rights to Abdolreza Kahani's 'Mortician' for Global Distribution

WHAT'S THE STORY?

What's Happening?

Visit Films has secured worldwide sales rights for 'Mortician,' a film by Iranian director Abdolreza Kahani. The movie is set to premiere at the 2025 Edinburgh International Film Festival. 'Mortician' follows a solitary funeral worker in Canada who prepares the bodies of deceased Iranian exiles according to their traditions. The narrative shifts when a dissident singer in hiding makes an unexpected request, disrupting the protagonist's routine. Kahani, known for his social satires, has embraced a minimalist filmmaking approach, using only a phone to create his films. This method reflects his desire for simplicity and authenticity in storytelling.
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Why It's Important?

The acquisition of 'Mortician' by Visit Films highlights the growing interest in independent and politically charged cinema. Kahani's approach to filmmaking, which involves minimal resources and crew, challenges traditional production methods and emphasizes the importance of storytelling over spectacle. This film not only explores cultural rituals but also addresses broader themes of exile and censorship, resonating with global audiences. The film's premiere at a major festival like Edinburgh underscores its potential impact on the international film circuit, offering a platform for voices that are often marginalized.

What's Next?

Following its premiere at the Edinburgh International Film Festival, 'Mortician' will likely seek further distribution opportunities, potentially reaching wider audiences through film festivals and digital platforms. The film's unique production style may inspire other filmmakers to explore similar methods, fostering a new wave of independent cinema. Additionally, Kahani's work could provoke discussions on the political and social issues faced by Iranian exiles, influencing public discourse and policy considerations.

Beyond the Headlines

Kahani's minimalist approach to filmmaking raises questions about the future of cinema in an era dominated by high-budget productions. His focus on storytelling and personal expression challenges the industry's reliance on extensive resources and could lead to a reevaluation of what constitutes successful filmmaking. Furthermore, the film's themes of exile and censorship may contribute to ongoing debates about freedom of expression and the role of art in political activism.

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