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Fandango Sales Acquires Venice-Bound Horror Film 'The Holy Boy' for International Distribution

WHAT'S THE STORY?

What's Happening?

Fandango Sales has acquired international rights to Paolo Strippoli's horror film 'The Holy Boy,' which is set to premiere at the Venice Film Festival. The film, described as an elevated horror, follows Sergio, a teacher with a troubled past, who moves to Remis, a village known for its happiness. However, Sergio soon uncovers a dark secret behind the town's facade. The villagers believe Matteo, a 15-year-old boy, is an angel whose embrace can relieve pain and sorrow. Sergio's attempt to save Matteo reveals the community's sinister side. Strippoli, known for his work in the horror genre, aims to explore themes of identity and belonging through this film.
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Why It's Important?

The acquisition of 'The Holy Boy' by Fandango Sales highlights the film's potential to reach a global audience, showcasing Italian cinema's ability to produce compelling horror narratives. The film's exploration of identity and community dynamics may resonate with international viewers, offering a unique perspective on societal issues. The Venice Film Festival premiere provides a prestigious platform for the film, potentially boosting its visibility and success. This development underscores the growing interest in elevated horror films that blend suspense with deeper thematic elements.

What's Next?

Following its premiere at the Venice Film Festival, 'The Holy Boy' is scheduled for release in Italian theaters on September 17. The film's international distribution by Fandango Sales suggests potential screenings in other countries, expanding its reach. The reception at Venice could influence its success and future opportunities for Strippoli and the cast. Industry stakeholders may watch closely to see how the film performs, considering its crossover potential beyond the horror genre.

Beyond the Headlines

The film's narrative, focusing on a queer teenager in a seemingly idyllic community, may spark discussions on the role of pain and identity in society. It challenges the notion of enforced happiness and explores the complexities of belonging, potentially influencing cultural conversations. The film's production, involving collaborations between Italian and Slovenian entities, highlights the importance of international partnerships in cinema.

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