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Artist Stary Mwaba Explores Toxic Legacy of Zambia's Copperbelt

WHAT'S THE STORY?

What's Happening?

Stary Mwaba, a leading visual artist from Zambia, is showcasing his latest work at the Lusaka National Museum, focusing on the 'black mountains' of the Copperbelt. These mountains are massive heaps of mining waste, a result of a century of industrial mining in Zambia, one of the world's largest copper and cobalt producers. Mwaba's art captures the lives of young people who mine these dangerous sites for copper ore, often working under hazardous conditions for gang masters known as 'jerabos'. His portraits, created using old newspapers and paint, highlight the struggles and stories of these miners, reflecting the broader socio-economic challenges in the region.
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Why It's Important?

Mwaba's work sheds light on the environmental and health impacts of mining waste in Zambia, a country heavily reliant on its mining industry. The 'black mountains' symbolize the toxic legacy of mining, affecting both the environment and the health of local communities. By focusing on the personal stories of miners, Mwaba brings attention to the socio-economic issues faced by the youth in the Copperbelt, where unemployment is high. His art challenges viewers to consider the human cost of industrial mining and the exploitation of workers, particularly by foreign companies.

What's Next?

Mwaba's exhibition may spark further discussions on the need for sustainable mining practices and better working conditions for miners in Zambia. It could also influence policymakers to address the environmental and health issues associated with mining waste. As Mwaba continues to explore these themes, his work might inspire other artists and activists to advocate for change in the mining sector, potentially leading to reforms that prioritize the well-being of local communities.

Beyond the Headlines

Mwaba's art not only highlights the immediate challenges faced by miners but also explores the cultural and historical dimensions of Zambia's mining industry. His use of newspaper articles as canvases reflects the complex narratives surrounding mining, including the influence of foreign companies and the socio-political dynamics in the region. By focusing on 'little narratives', Mwaba emphasizes the importance of individual stories in understanding the broader impact of mining on society.

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