What's Happening?
Artist Lily Stockman is set to unveil her latest series of paintings, titled 'Book of Hours,' at the Charles Moffett gallery in Tribeca this September. Stockman's work is inspired by medieval books of hours, particularly the 15th-century illuminated manuscript known as The Black Hours. These manuscripts, prevalent in Christian households during the Middle Ages, featured prayers to be recited throughout the day and were known for their decorative borders and religious scenes. Stockman, who has never seen The Black Hours in person, was captivated by its story and the architecture of these historical books, which she sees mirrored in her own paintings. Her new series continues her exploration of brightly colored perimeters framing geometric shapes that abstractly represent elements of the natural world, such as seeds and meadows. Stockman aims to keep the traces of her artistic process visible in her work, embracing imperfections and the labor involved in creating each piece.
AD
Why It's Important?
Lily Stockman's 'Book of Hours' series represents a significant intersection of historical art forms and contemporary abstract painting. By drawing inspiration from medieval manuscripts, Stockman bridges the gap between past and present, offering viewers a chance to reflect on the continuity of artistic expression. Her work challenges the notion of perfection in art, emphasizing the beauty found in visible brushstrokes and the artist's decision-making process. This approach may influence other artists to embrace the authenticity of their creative journey, potentially shifting trends in the art world towards more transparent and process-oriented works. Additionally, Stockman's exhibition at Charles Moffett gallery highlights the importance of supporting and showcasing innovative artists who push the boundaries of traditional art forms.
What's Next?
The exhibition of 'Book of Hours' at Charles Moffett gallery will provide an opportunity for art enthusiasts and collectors to experience Stockman's work firsthand. As the series goes on display, it may attract attention from critics and art historians interested in the fusion of medieval and modern artistic elements. The gallery's new space in Tribeca could become a hub for discussions on the evolution of abstract art and its historical influences. Stockman's approach to visible artistic processes might inspire other galleries to feature works that emphasize the artist's journey, potentially leading to a broader acceptance of imperfection in contemporary art.
Beyond the Headlines
Stockman's work invites viewers to consider the role of historical art forms in shaping modern aesthetics. Her paintings, with their medieval inspirations, prompt a dialogue on the cultural significance of preserving and reinterpreting historical artifacts. This exploration of medieval manuscripts through contemporary art may encourage a deeper appreciation for the craftsmanship and storytelling inherent in historical works. Furthermore, Stockman's emphasis on visible artistic processes raises questions about the value placed on perfection in art and the potential for embracing authenticity and vulnerability in creative expression.
